【誘餌2019】

康沃爾漁村的風(fēng)景明信片田園詩誤導(dǎo)了人ddd。雖然過去釣魚是一種養(yǎng)家糊口的方式，但如今富有的倫敦游客紛紛下山，取代了當(dāng)?shù)厝?，?dāng)?shù)厝说纳?jì)因此受到威脅。史蒂文和馬丁兄弟的關(guān)系也很緊張。馬丁是一個(gè)沒有船的漁夫，因?yàn)槭返傥拈_始用它來為一整天的游客提供更賺錢的旅游。他們賣掉了這座家庭別墅，現(xiàn)在看來，最后一場(chǎng)戰(zhàn)斗是和新主人在海邊的停車位上展開。然而，情況很快就失控了，而不僅僅是因?yàn)檐囕唺A鉗?！　ait是一種黑白，手工制作，16毫米膠片制作的電影。許多關(guān)于魚、網(wǎng)、龍蝦、長(zhǎng)靴、繩結(jié)和漁籃的特寫鏡頭讓人想起了蒙太奇景點(diǎn)的理論。對(duì)不同社會(huì)階層的描述——可以說是階級(jí)關(guān)系——也讓人想起了英國電影中的社會(huì)現(xiàn)實(shí)主義傳統(tǒng)。然而，最重要的是，在影像中不同層次的電影歷史參考文獻(xiàn)之下，當(dāng)前許多政治關(guān)聯(lián)正在等待被發(fā)現(xiàn)?！　hepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.　　Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.